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Campos anthropomorphizes two battling polar sides of the author: the desperation for passion and a spotlight; and his would like for shutting far from the whole world stemming from a feeling of nothingness that wishes to get a little something – both equally feelings of want
The speaker then expresses a sense of defeat, clarity, and perplexity. They feel as if they know the truth and so are mindful in their impending mortality. They no longer experience a relationship to the entire world around them and find out them selves as detached observers.
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Esse trecho é importante porque fala do estado de espírito do sujeito, da sua autoimagem, da sua autoestima e de como se conhecia tão bem a ponto de evidenciar com tanta precisão as suas falhas de motor vehicleáter e de personalidade.
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The speaker acknowledges their not enough goal or defined identification but asserts that inside them resides "todos os sonhos do mundo" (all of the goals of the globe), suggesting that Regardless of their inner thoughts of emptiness, they nevertheless have a limitless creativeness and potential for dreaming.
O sujeito ainda tenta embarcar no caminho da felicidade inaugurado pela pequena, mas rapidamente volta ao seu estado inicial de tristeza logo ao tirar o papel de prata, que constata ser de estanho.
one thing in everyday life. This poem is easily the most renowned that expresses the latter. All Campos poems can appear off as manic-depressive, aggravated, and a sense of worthlessness – this poem embodies everything.
The lyrics carry on to describe the scene from your speaker's window, observing the thriller of a continually bustling Road and reflecting within the enigmatic character of existence.
His poems sense as true since the shop, or at least are an make an effort to enter into touch with this kind of actuality. Close to the conclusion, he compares his writings on the shop’s indication – a label to an actual factor all need.
One of the poet’s consistent preoccupations is the fact that of identification: he does not know who he is. The problem, it seems, will not be that he doesn’t understand what to generally be; on the contrary: he really wants to be too much, almost everything; wanting achieving this he despairs.
Campos was essentially the most significant of Pessoa’s heteronyms along with the just one closest to his legitimate coronary heart and man or woman."
The tune serves as a mirrored image on the restrictions on the human problem and also the struggle to search out significance in an normally perplexing and transient earth.
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